Storming the Ramparts of Camelot
http://pajamasmedia.com/2007/12/storming_the_ramparts_of_camel.php
Did the assassination of John F. Kennedy shatter American liberalism,
as the subtitle of a new book by James Piereson suggests? James
Sterngold says Camelot and the Cultural Revolution attempts to
discredit one of America's most powerful icons and reads like a
"conservative magical mystery tour."
(PJM will publish James Piereson's response to Sterngold's review on Sunday.)
by James Sterngold
December 21, 2007
I was startled some years ago by a sort of subliminal political
message implanted in an episode of HBO's heralded miniseries about
the Apollo space program, "From the Earth to the Moon." I'd written
about the culture wars and knew firsthand how far each side would go
to score a few points, but I was surprised by the naked ideological
ambition of the HBO episode, called "1968." It dismissed the
assassinations, racial protests and political tumult that defined
that trying year presented as grainy black-and-white flashbacks
as peripheral events. What was central to our national narrative, the
show maintained, was the moon mission, depicted (in vivid color) as a
paragon of courage, achievement and right-minded clarity amid the
upheaval on terra-not-so-firma. And then came the clincher: the
episode ends at Christmas, with Houston reading to the Apollo 8
astronauts, the first men to orbit the moon, a telegram from an
ordinary American: "You saved 1968."
Yes, at least on one front, conservatives have won a skirmish in the
culture wars, seizing the moral high ground in the popular
understanding of what "failed" in the 1960's and what "succeeded."
The HBO episode swallowed whole the notion not just that 1968, a
seminal year that helped make us who we are, like it or not, needed
"saving," but that three men in a tin can hurtling through space,
military men at a time when the military was mired in a terrible,
tragic war, were the heroes who redeemed the era. They were, in this
view, a sort of special ops rescue mission from the Right. So much
for the lefties who supposedly control Hollywood. An argument can be
made that all the moon missions left us was Tang, space blankets and
some wonderful photos of the earth, while the voices of protest gave
us the Civil Rights Act, the Voting Rights Act and a healthy
skepticism toward foreign military adventures, but what seems
indisputable is that the revisionist view of the 1960's has become
prevalent. The guys with the crew cuts, it would seem, saved us from
the dope fiends with pony tails, making America safe for disco,
muscle cars and Watergate.
But some far Right conservatives have not been content with that
cultural victory. They want us not just to embrace the idea that the
forces of sanity on the Right saved the country but to destroy any
positive liberal symbolism that might be salvaged, a sort of
Biblical-style salting of the earth of your enemies. That is the
tactic employed by James Piereson's odd book of right-wing agitprop,
Camelot and the Cultural Revolution . He is out to discredit
liberalism and one of its most powerful, if ambiguous icons, John F.
Kennedy. More, for those who revere Kennedy at least in part because
he was killed in the spring of his reign of hope, in November, 1963,
Piereson tries to discredit even the assassination mythology as
little more than propaganda that obscured the conservative ascendancy.
Piereson's book is simplistic, absurdly reductive in places and he
gets a lot of historical context badly wrong. But he does make some
important points about the self-destructive course of some liberal
thinking during the 1960's. He also hints at some reasons why the
country has become so ideologically polarized.
Many of Kennedy's supporters, as Piereson notes, chose to blame the
assassination not on a sad, deranged misfit who had flubbed his
defection to the Soviet Union, but metaphorically on Kennedy's
enemies on the Right. Piereson struggles to make the case that since
Lee Harvey Oswald, a high school dropout, Marine dropout and
perennial loser, was an avowed communist the assassination ought to
be declared a communist-inspired hit. He cites no evidence, however,
justifying the claim that Kennedy was thus a victim of the worldwide
communist conspiracy. Piereson is right, though, that Kennedy's
allies, even his widow, quickly blamed, in a symbolic manner, the
opponents of desegregation and of international engagement. It was an
emotional effort by the supporters to marshal the grief and anger
over the assassination into a force to carry out Kennedy's ambitious agenda.
Piereson downplays how many of President Kennedy's domestic policy
programs were enacted, supported by both Democrats and many
Republicans – including the race to the moon, which Kennedy had first
championed. But the effort to lay blame on the Right was a tactical
error that, in the long run, contributed to the demonization of
conservatives and widened the partisan divide. Piereson's argument is
that youthful members of the Left were radicalized by this false
charge that the far Right had "killed" their youthful president.
It's a ridiculous charge. What Piereson ignores is that the seeds of
disaffection on the Left were sown long before Kennedy's death in
November, 1963, and that many members of the Left were already well
on their way to being radicalized. Piereson repeatedly talks about
the counterculture and protest movements as the progeny of the
assassination when in reality they predated it by many years.
The rebellion that came into full flower during the 1960's had deep
roots in the 1950's – some strands led back to the Depression, of
course, and its movements supporting unions and the rural poor. The
serene 1950's "consensus" that Piereson refers to was already shaky
by the time Kennedy was elected. Young people were already rebelling
against racial injustice and hypocrisy, even "the Bomb." For
instance, the terrible murder of the young black man Emmett Till by a
mob of racist whites in Mississippi, which started to rally Liberals
around the civil rights cause, took place in 1955. Allen Ginsberg's
beat masterpiece, Howl, was published in 1956, and Jack Kerouac's
anthem of living for the moment, On the Road, came out in 1957.
By the time of the assassination, Bob Dylan had already released two
albums, filled with anti-war tunes, and his fiery third album, The
Times They Are A-Changin, had been recorded prior to Kennedy's death
and was released just six weeks later. The Students for a Democratic
Society had laid out their political program opposition to nuclear
weapons, war and racial injustice at the Port Huron Convention in 1962.
The great split between the traditional, intellectual left of Kennedy
and Adlai Stevenson and the new Left hipsters – the real source of
revolutionary fervor – had been playing out for years. The divide was
on display famously at Hunter College in 1958, when James Wechsler,
the editor of the then reliably liberal New York Post, shared a
podium with Kerouac. Wechsler earnestly argued for banning nuclear
weapons and for racial equality, while a drunken Kerouac pranced
about the stage, ridiculed Wechsler and declared, "I believe in love.
I vote for love."
"I was grappling with a man from Outer Space," Wechsler later wrote.
Because he so badly misses the roots of 1960's rebellion, Piereson
also misses the critical factor that pushed the youth movement to
extremes. Kennedy's assassination may have robbed some young people
of the hope that a new kind of president would forge a new kind of
history marked by social progress, but it did not force them into the
streets. Far more important to the eruption of rhetoric, anger and,
at times, violence was, of course, the senseless course of the
Vietnam War, being fought by baby boomers, many drafted into service
against their will. The forces of alienation were unleashed by the
war and heightened dangerously by it. Optimism was crushed and
idealism was replaced by cynicism. Kennedy's death was a secondary force.
This is exactly where Piereson's conservative magical mystery tour
smacks into the brick wall of reality. His fundamental thesis is that
the Right "saved" the 1960's as the Left became unmoored because
conservatives never lost their focus on anti-communism. It was this
crusade that eventually brought the country around. One small
problem: Piereson's view ignores the painful reality that the United
States' obsession with and failed effort at fighting communist
expansion in Vietnam – led by a liberal Democrat President was the
trauma that nearly destroyed the country. Young men did not flee to
Canada because Kennedy had been shot.
Not letting the facts get in the way, Piereson pushes the notion that
the violence once employed by far Right groups, such as the KKK, now
became a tool of the far Left. It is a misguided view of history.
Certainly, he's correct that some elements of the far Left the
Weather Underground or the bizarre assemblage calling itself the
Symbionese Liberation Army resorted to violent tactics. But
Piereson makes the ridiculous claim that the overheated rhetoric of
the Left "led inevitably to acts of political violence," such as
urban race riots not poverty, racism or violent white resistance to
desegregation? and violent anti-war campus protests not
frustration with the escalation of the fighting in Vietnam or police
overreaction, as at Kent State?
Piereson tries to go one further, alleging that post-JFK political
violence "came largely from the left." Oh? The assassinations of
Martin Luther King and Robert Kennedy in 1968 were by Leftists? How
about Timothy McVeigh's bombing later of the Federal Building in
Oklahoma City, the worst case ever of domestic terrorism? How about
Eric Rudolph and his terrorist acts against abortion providers and
gays and lesbians, or his bombing at the Atlanta Olympics?
But Piereson is a political agitator, not an historian, so such
errors mean little to him. It's a shame, because we are seeing once
again in this presidential campaign how many of the arguments started
during the 1960's remain alive. Thoughtful examination of those
disputes could help inform the battles. But Piereson has other aims,
perhaps clearest when he scolds Kennedy for being a centrist and a
pragmatist. He questions Kennedy's Pulitzer Prize winning book,
Profiles in Courage, for lauding both Democrats and Republicans.
Rather than seeing this evenhandedness as a sign of strength,
Piereson accuses Kennedy of being "confusing" in his outlook and his
book as "muddled" because he had not downed the Kool Aid of
ideological intolerance. The criticism says more about Piereson than
either Kennedy or the 1960's.
---
James Sterngold writes on national security, criminal justice and the
prison system and business. He spent 18 years with The New York Times
as a domestic and a foreign correspondent and 5 years as the national
affairs correspondent for the San Francisco Chronicle. He is the
author of Burning Down the House: How Greed, Deceit and Bitter
Revenge Destroyed E.F. Hutton .
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