Thursday, March 27, 2008

[Tom] Hayden’s Hell

Hayden's Hell

http://frontpagemagazine.com/Articles/Read.aspx?GUID=367543A0-1768-493C-8D43-EFDFBCB1F7E6

By Kathy Shaidle
FrontPageMagazine.com | Friday, March 21, 2008

It is a disgraceful and shameful name for all those who opposed
communism with honor in Southeast Asia four decades ago.

Tom Hayden.

The superstar anti-Vietnam War activist, one of the infamous "Chicago
7" defendants, is still making sure that name of shame is connected
with Vietnam -- the tragic nation he helped destroy in the 1960s and
'70s through his collaboration with the North Vietnamese Communists.
After having made a lucrative career out of hating his own country
and the free economy on which it is based, Hayden, now aged 67, is
evidently going strong.

Unsurprisingly, the latest utterance of the one-time president of the
radical Students for a Democratic Society will do little to enhance
his already fading and self-created reputation as a supposed
forward-thinking visionary. The March 10, 2008, issue of Nation
magazine carried a long essay by Hayden entitled "The Old
Revolutionaries of Vietnam." A poorly written, passive-voice exercise
in self-pity, Hayden's essay recounts his return to the Southeast
Asian country he visited throughout the 1960s and '70s. As detailed
in DiscovertheNetworks.com:

Among the most visible and outspoken mouthpieces of the pro-Communist
camp during the Vietnam War era, in the early 1970s Hayden organized
-- along with his wife Jane Fonda, John Kerry, and Ted Kennedy -- an
'Indo-China Peace Campaign' (IPC) to cut off American aid to the
regimes in Cambodia and South Vietnam. The IPC worked tirelessly to
help the North Vietnamese Communists and the Khmer Rouge (led by Pol
Pot) emerge victorious.

"Hayden and Fonda took a camera crew to Hanoi and to the 'liberated'
regions of South Vietnam to make a propaganda film titled
Introduction to the Enemy (1974) whose purpose was to persuade
viewers that the Communists were going to create an ideal new society
based on justice and equality.

That "new society based on justice and equality" ultimately witnessed
the murder of 2.5-million Indochinese peasants by Hayden's
revolutionary heroes. But the author of the hippie manifesto, "The
Port Huron Statement," is not about to let all those corpses get in
the way of his narcissistic nostalgia trip for the Nation:

During Christmas 2007 I traveled back in time with my family, to
Vietnam, for the first time in thirty-two years," Hayden writes. "I
was feeling a deep need to see the place once more, a regret at
having withdrawn from a country I had visited four times during the
war. I wanted to understand the long-term lessons and, on a personal
basis, track down the Vietnamese guides and translators, men and
women, who assumed an ideological faith in the American 'people' they
escorted through ruins inflicted by the American 'enemy.' (…) Most
were survivors of the French and American wars and would be in their
80s by now. Were they still alive? How had they suffered? After the
exuberance at their victory and reunification after 1975, how had
they adjusted to a Vietnam without war?

That opening paragraph sets the tone for the rest: oddly chosen scare
quotes, plenty of question marks, and plenty of self-obsession.

Those first-person pronouns are real. Musing upon an old photo of
himself, Hayden can't resist claiming, for example, that he's gained
a mere ten pounds in the intervening thirty-five years. But Hayden's
questions are mostly rhetorical. He still subscribes to the stale
Marxist theory he first swallowed whole in his early twenties. As he
finds out to his dismay, however, most Vietnamese don't.

"Not even Vietnam [itself] can shake him," writes Robert Fulford, in
a scathing takedown of Hayden's preening travelogue. "Its economy
grows swiftly and so does its per capita GDP. It's a single-party
state, still using the name Communist Party, and it has economic
freedom without the other kinds of liberty. During his trip, a
leading Vietnamese novelist told him, 'Some Americans may sympathize
with communism, but I lived under it and couldn't stand it.' The
novelist has a son making millions traveling for a high-tech corporation."

The only resident of Vietnam more distressed than Hayden by all this
prosperity is – not surprisingly – another former American anti-war
activist turned ex-patriot and capitalist: Gerry Herman is a now
successful film distributor, and even he just seems irritated because
China is getting better trade deals than his adopted country.

"Far be it from me," says Hayden, "to question the desire of the
Vietnamese to share our globalized consumer culture like everyone else."

But of course, Hayden does just that, for thousands of workmanlike
words. What else can he do, having devoted his entire adult life to
fighting American capitalism and "imperialism" in book after book,
and demonstration after demonstration? Unlike those of many of his
contemporaries, Hayden's Communist sympathies were no mere fashionable pose.

As his former fellow radical David Horowitz recalled:

Hayden and I were deadly serious about our revolutionary agendas.
During the Vietnam War, Tom traveled many times to North Vietnam,
Czechoslovakia and Paris to meet communist North Vietnamese and Viet
Cong leaders. He came back from Hanoi proclaiming he had seen "rice
roots democracy at work." (…) Hayden offered tips on conducting
psychological warfare against the U.S. He arranged trips to Hanoi for
Americans perceived as friendly to the Communists and blocked entry
to those seen as unfriendly, like the sociologist Christopher Jencks.
He attacked as "propaganda' stories of torture and labeled American
POWs returning home with such stories as "liars."

And Hayden's "revolutionary" activities were not confined to
traitorous oversees excursions:

On the domestic front, Hayden advocated urban rebellions and called
for the creation of "guerrilla focos" to resist police and other law
enforcement agencies. For a while he led a Berkeley commune called
the "Red Family," whose "Minister of Defense" trained commune members
at firing ranges and instructed high school students in the use of
explosives. He was also an outspoken supporter of the violence-prone
Black Panther Party.

Today, Hayden allows himself to wonder – in only the most tentative
manner, of course, with the usual disingenuous rhetorical questions –
whether or not he and his radical comrades might have been wrong all along:

"The question," Hayden writes, "is whether the future, aside from the
obvious advantages of peace, will be worth the sacrifices of the
past. Is the period of anticolonial revolution--which Vietnam
symbolized and so dominated our thinking in the '60s and
beyond--becoming an obsolete memory in the era of globalization? Has
the promise of those inspiring revolutions faded with the decline of
naked colonialism and the emergence of so many corrupt
authoritarianisms in the Third World? Or are the supposedly
scientific models of history long embraced by the left being replaced
with a kind of chaos theory of unpredictability? Is this all that was
ever possible?"

The natural desires of ordinary people, be they American or
Vietnamese, to trade in goods and services, to enjoy decent food and
housing and to exercise their basic human rights, are summarily
dismissed as "chaotic" and "unpredictable" by an obviously shaken Tom
Hayden. (No doubt Adam Smith would be mystified and perhaps amused to
hear capitalism compared to quantum physics.)

Hayden's only hope of achieving equilibrium is to do the unthinkable:
humbly renounce his delusions. Fortunately, he has a couple of timely
examples to imitate should he care to do so.

Robert Fulford noted the delightful coincidence of Hayden's Nation
essay appearing at the same time as a Village Voice column by the
acclaimed playwright David Mamet, entitled "Why I Am No Longer A
'Brain Dead Liberal.'" Mamet chronicles his somewhat reluctant
journey from Left to Right, such as his newfound respect for
corporations and limited government.

"It may seem odd," Fulford remarks, "that a much-admired writer makes
such a noise about the banal fact that he thinks the society he's
always lived in is grounded in sound principles and operates
reasonably well. But in his milieu, that opinion remains big news."

More "big news" was made shortly thereafter by another playwright.
Writing in the Sunday Times of London, Tom Stoppard issued a
remarkably similar declaration. Even in its soixante-neuf heyday,
admits Stoppard, he considered the Left "politically dubious,"
writing that he "was embarrassed by the slogans and postures of
rebellion in a society which, in London as in Paris [in 1968]. . .
seemed to me to be the least worst system into which one might have
been born -- the open liberal democracy whose very essence was the
toleration of dissent."

The way it looks now, Tom Hayden will resist joining Stoppard and
Mamet to his dying day. And when all is said and done, he can never
undo the enormous damage he helped perpetrate upon millions of
Indo-Chinese people. Longing for a Vietnam that now mirrrors
everything he wished to destroy, the anti-war activist now faces his
destiny: going down in history as, at best, a pathetic footnote or a
cryptic joke, and at worst, an accessory to mass murder and
oppression ultimately repudiated even by the oppressors.
---

A blogger since 2000, Kathy Shaidle runs FiveFeetOfFury.com. Her new
e-book Acoustic Ladyland has been called a "must read" by Mark Steyn.

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