by Len Wallace
Penelope Rosemont, Dreams & Everyday Life: André Breton, Surrealism,
Rebel Worker, sds & the Seven Cities of Cibola, Charles H. Kerr
Publishing Company, Chicago, 2008, ISBN 978-0-88286-234-2
Despite an era made for modern-day state and corporate Metternichs
there are stirrings, movement, growing discontent. In the words of
Buffalo Springfield's song, "There's something happening here. What
it is ain't exactly clear." It's difficult to define it, but it's
there and it has some folks worried. Today's sparks are being
compared to the sixties New Left.
I recently saw a televised panel discussion making just such
comparisons. The pundits argued that the sixties youth were a
spoiled generation of a consumerist society who never experienced
economic depression and political oppression. Left "leaderless"
because of the assassinations of John F. Kennedy, Robert Kennedy,
Martin Luther King, Jr., the movement spiraled off into excessive
radicalism and violence. Of course, what other "insight" could one
expect from the defenders of the status quo?
I was fourteen in that tumultuous year of 1968 when student youth
congregated in protest at the Democratic Party National convention in
Chicago and were brutally clubbed, tear gassed, jailed by the riot of
the forces of law and order. In Prague, Czechoslovakia, students and
workers rallied in the streets against Red Army tanks of the Soviet
Union sent in to crush attempts of democratization. In Paris,
France, students, spurred on with the slogans of surrealists and
situationists, occupied universities and, allied with workers,
erected barricades in the streets as the country advanced to a
general strike that almost toppled the DeGuallist government
order. Worldwide protest against the Vietnam war raised
consciousness against colonial order. Black Power, the Black Panther
Party of Huey Newton and Bobby Seale, openly confronted
institutionalized and systematic racism of the state. Women's
Liberation challenged male privilege and white men in suits.
The following years were for me a passage of discovery grappling with
and absorbing wide-ranging radical thought, ideas, symbols and images
so different from those I obtained through osmosis from the elders of
Windsor's left-wing working-class Ukrainian-Russian community.
By the time I reached university, the New Left train had departed and
left the station on the way to derailment. The student rebels had
exited the campus and broke into factionalism. Some went off to the
factories to join the proletariat and hopefully ferment
revolution. Others were swallowed up by increasingly commodified
counter-culture. A few would eventually make their peace with
capitalism, seeking gain in publicly funded institutions, amused at
their youthful endeavors, and only speak about their "left-wing
principles" in very hushed tones. And by the 1980s, the corporate
counter-revolution under the various names of Reaganism, Thatcherism,
neo-conservatism, and neo-liberalism with the correlative growth of
state authoritarianism was in full swing.
The actors and activists of that sixties movement have attempted to
define and redefine what it was all about. Was there anything here
worth preserving? Has any program for dissidence, rebellion, and
revolution been snuffed out? Is there any hope of
resurrection? Paul Buhle and Harvey Pekar's Students for a
Democratic Society: A Graphic History tries to tell some of the
stories. One of the chapters focuses on the role of Penelope Rosemont.
Rosemont was at the center of the whirlstorm as activist in SDS, on
its national staff and editor of its theoretical journal Radical
America. In Dreams & Everyday Life she recounts her journey to
becoming a revolutionary from the first moments she stepped onto the
campus of Chicago's Roosevelt University in 1964. Written forty
years later, her account is a retelling of that personal journey
still with the fresh eyes of youth. Artist, writer, editor,
surrealist, she remains a revolutionary still captivated with the
vision that freedom is worth fighting for.
The philosopher Hegel once asserted that "nothing great in the World
has been accomplished without passion." Rosemont's book is a
passionate remembering. In an era when we are taught that there is
no real history because nothing ever changes, that today's society is
the way it has always been and will always be, amen!, remembering
becomes a useful and subversive tool.
If one is seeking an analytical and historical text about the rise
and fall of the New Left, this is not the book. There are no
judgments of people, parties, and programs here. No second thoughts
or justifications. This is a personal history of a history unfolding
-- at once a personal diary and the potent weapon of cultural
critique against conformity and the mindless drudge of imposed wage
work. Rosemont takes us along a journey and trajectory opening
dreams and possibilities. In the conscious surrealist activity of
aimlessly walking the streets of Chicago directed by chance she
discovers the thousands of instances of daily life that exist far
beyond the pale of commodity capitalism, those small rebellions, free
spaces of action, art, poetry, music, and culture, real human
relationships that have not been devalued by the cold exchange of
cash. The discoveries on the streets are also discoveries of the
links to a revolutionary past that reaches back to the Haymarket
strikes of 1886, the birth of the IWW, the street corner soapboxing
of old socialists and anarchists. History is indeed an unfolding and
the past does not simply disappear.
Karl Marx, Mikhail Bakunin, Henry David Thoreau, Ralph Waldo Emerson,
Emma Goldman, Sigmund Freud, and Herbert Marcuse are part of the
journey and accompany her to meetings with the old rebel Wobblies, to
London, England's anarchists, and the profound influences of André
Breton and the surrealists of Paris. This very personal account
recaptures the youthful sense of marvel, excitement, and desire that
are too often pushed aside and buried under the dead weight of life's
daily drudgeries. She takes aim at today's spirit-sucking new world
corporate Disney Wal-Mart order of iPods, Internet, text messaging,
commercial bombardment, official government lies, and doublespeak that numb us.
André Breton announced in an early surrealist manifesto that
imagination balks at being stifled. As we bend to the vicissitudes
of capitalist utilitarianism, it will abandon us to a "lusterless
fate." Fast approaching the age of 54, I'll be damned that such a
fate lays in store for me. Rosemont's book provides a good reminder
never to let go of radical and revolutionary youthful élan.
Len Wallace is a singer, songwriter, and activist.